Carmela Gross
Brazil
View Gallery
Dialectic of forms.
Rational. Irrational
Time denial, space alteration.
Dreams and memories of black holes.
Intangible space.
The work of art is adrift, seeking, roaming, erring and not even reaching a final meeting. The end itself is a random ride. Changing the coordinates, mutating, exploring, destroying, beginning a-new, changing the starting point. Changing the axis. It is no for everything to be indifferent, it is for new possibilities to arise. New states, new alterations, new us, strengths, us.
Singularity that evolves into plurality.
Shape of life without shape, no thirst for shape, no thirst for truth, no thirst for judging or being judged.
To become invisible in order to be.
Let it happen and live with the outcome. A game between tension and liberation.
Work as space of struggle, space of permanent revolution, going beyond things because it is knowledge, it is avant-garde and therefore is a void.
Within the twilight of the form the tension of the shapeless is hidden.
Totality has been lost.
Dialéctica de la forma.
Racionalidad. Irracionalidad.
Negación del tiempo, alteración del espacio.
Sueños y recuerdos de agujeros negros.
El espacio imperceptible.
La obra es deriva, búsqueda, deambular, errar; no es un encuentro final. El propio final es un andar errante.
Cambiar las coordenadas, mutar, explorar, destruir y comenzar nuevamente, cambiar el punto de partida. Cambiar el eje. No para que todo sea indiferente, simplemente para ver emerger nuevas posibilidades. Otros estados, otras alteraciones, otras fuerzas, otros nosotros, + fuerzas + nosotros.
Singularidad que deviene pluralidad.
Forma de vida sin forma, sin sed de forma, sin sed de verdad, sin sed de juzgar y ser juzgado.
Volverse invisible para Ser.
Dejar que el acto suceda y convivir con lo sucedido. Un juego entre tensión y liberación.
La obra en tanto espacio de lucha, espacio de revolución permanente, un ir al más allá de la cosas porque es conocimiento, es vanguardia y por ende es vacío.
En el ocaso de la forma se esconde la tensión de lo informe.
La totalidad se ha perdido.
Selected Biographical Information
Education / Training
- Self-taught.
Prizes / Fellowships
- 2006: Beca Nacional en Artes Plásticas del Fondo Nacional de las Artes, Buenos Aires, Argentina.
Solo Exhibitions
- 2013: :Untergehen”, Dot Fiftyone Gallery, USA.
- 2011: “Naturaleza Muerta”, Braga Menéndez Arte Contemporáneo, Buenos Aires, Argentina.
- 2011: “La posibilidad de un vacío”, Museo de Arte Contemporáneo de Rosario Trama.
- 2010: Solo Project, Pinta art, Nueva York, USA.
- 2010: “Un silencio aparente”, KBK Arte Contemporaneo, Mexico City, Mexico.
- 2009: “Timeless”, Dot Fiftyone Gallery, Miami, USA.
- 2007: “Estudios para óleo y grabado”, Zavaleta Lab / Arte Contemporáneo, Buenos Aires, Argentina.
- 2004: “Serie”, Museo de Arte Contemporáneo Latinoamericano (MACLA), La Plata, Argentina.
- 2004: “Serie”, Centro Cultural Borges, Buenos Aires, Argentina.
Group Exhibitions
- 2010: “Abstraction Revisited”, Chelsea Art Museum, New York, USA.
Publications
- Poéticas contemporaneas, Apuntes y aproximaciones, Itinerario de las artes visuales en Argentina de los 90 al 2010, Fondo Nacional de las Artes.
Collections
- Alan Mitchell, Chicago, USA.
- Alejandra and Alberto Poza, Miami, USA.
- Alejandro Castaño, Bogotá, Colombia.
- Ana Milena de Gaviria, Bogota, Colombia.
- Angel Junquera Sepúlvera, Mexico City.
- Arie Genger, NY, USA.
- Beatriz Savatierra de Giardinella, Miami, USA.
- Brett Robertson, Dallas, TX, USA.
- Cota Cohen, Miami, USA.
- Daniel Oks, Buenos Aires, Argentina.
- Daniel Yankelewitz, San Jose, Costa Rica.
- Familia Dascal, Miami, USA.
- Felipe Greenberg, México City, Mexico.
- Hilda Brillembourg, Washinton, USA.
- Joana Solomon, Miami / Bogotá, Colombia.
- JoAnn Gonzalez-Hickey Collection, NYC, USA.
- John & Heidi Hassenfeld, Nashville, TN, USA.
- Maria Fernanda Campos, Bogota, Colombia.
- Micaella Mila Vacarel, Barcelona Spain.
- Michel Amsellem, Geneve, Swizterland.
- Natalie Barth, New York, USA.
- Rafael y Rosa Kalach, Mexico City, Mexico / Medellin, Colombia.
- Raúl Cervantes, Mexico City, Mexico.
- Royal Caribbean Collection, Miami, USA.
- Sayago & Pardon Collection, California, USA.
- Simona Mishaan, Caracas, Venezuela.
- Susana Gottieb, Miami, USA.
- Tanya Capriles de Brillembourg, Miami, Madrid and Caracas.
- Thomas W. Bark and Phillip Battaglia, NY, USA.
- Veronica Bonta, Buenos Aires, Argentina.
- William Escalera, LA, USA.
- Luis Miguel Mercado – La Paz, Bolivia and Miami, USA.
- Museo de Arte Contemporáneo de Rosario (MARCO), Argentina.
- Museo de Arte Contemporáneo Latinoamericano (MACLA). Colección patrimonial. Argentina.
- Museo Provincial de Bellas Artes. Argentina.
- Centro Cultural Borges, Buenos Aires, Argentina.
Links
-
- Hernán Cédola, “Untitled Beginning”, 12/10/13, Acrylic on canvas, 245 x 190 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Ante lo invisible”, 2013, Acrylic on canvas, 245 x 190 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “un pasado”, 2012-2013, Acrylic on canvas, 190 x 135 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “No sabemos como llegar ahí”, 2013, Acrylic and oil on canvas, 252 x 190 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Estudio (sueños y lineas rotas)”, 2013, Acrylic and oil on canvas, 220 x 175 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Equilibrio del ocaso”, 2012-2013, Oil on canvas, 190 x 285 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Tech”, 2012, Acrylic, oil and collage on canvas, 190 x 135 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Ingrávido”, 2013, Acrylic and oil on canvas, 190 x 285 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Permanente invisible”, 2013, Acrylic and oil on canvas, 190 x 140 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Sin Título”, 2013, Mixed media on canvas, 40 x 30 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Azules encontrados”, 2012-2013, Oil on canvas, 40 x 30 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Geometria Im – Perfecta”, 2013, Oil on canvas, 60 x 50 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Vestigio”, 2012-2013, Oil on canvas, 190 x 135 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “La batalla de las peras”, 2012-2013, Oil on canvas, 190 x 140 cm. Photo credit: Dot Fiftyone Gallery and the artist
-
- Hernán Cédola, “Flujos”, 2013, Acrylic and oil on canvas, 252 x 190 cm. Photo credit: Dot Fiftyone Gallery and the artist