Amalia Pica
Argentina
View Gallery
Selected Biographical Information
Education / Training
- 2002-2007: Bachelor Architecture, Cooper Union for the Advancement of Science and Art, NYC, USA.
Solo Exhibitions
- 2013: “Financial Times“, Mary Boone Gallery, New York City, USA.
- 2013: “The Red and the Black“, Y Gallery, New York, USA.
Group Exhibitions
- 2013: “Neo Povera“, L&M Gallery, Los Angeles, USA.
- 2013: “Come Together: Surviving Sandy“, Dedalus Foundation, New York, USA.
- 2013: “Une Exibicion Sans Textes“, Jeu de Paume, Paris, France.
- 2013: “La Bienal: here is where we Jump“, El Museo del Barrio, New York City, USA.
- 2013: “Draft Urbanism“, Biennial of the Americas, Denver, USA.
Publications
- Nathlie Provosty, “In Conversation“, The Brooklyn Rail, February 2014, 2-5. (Article).
- Chloe Rosetti, “Financial Times“, Artforum, January 2014 (Article).
- Ann Binlot, “Graphic Design“, The Economist, January 17, 2014 (Article).
- Holland Cotter, “A Constellation of Identities“, The New York Times, 13/6/13 (Article).
- Thomas Mitchell, “Guilt Complex: Selling Painting by the Square Foot“, Hyperallergic, 1/6/13 (Article).
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- G. T. Pellizzi, “Transitional Geometry in Blue (Cathedra) “, 2013, Eggshell acrylic on plywood, 144 x 544 x 12 cm.
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- G. T. Pellizzi, “Conduits in Red Yellow and Blue (Figure 2)”, 2011, Porcelain, galvanized steel, copper wire, ceramic coated lightbulbs, , 92 x 122 x 15 cm.
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- G. T. Pellizzi, “”Financial Times” (Diagram 3)”, 2013, Steel pipe, books on fiinance, 127 x 76 x 112 cm.
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- G. T. Pellizzi, “Financial Times”, Graph (Figure 2)”, 2013, Powdered pigment and gesso on linen, 122 x 137 cm.
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- G. T. Pellizzi, “”Financial Times”, Graph (Figure 3)”, 2013, Powdered pigment on linen, 183 x 46 cm.
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- G. T. Pellizzi, “”Financial Times”, I Ching (hexagram 61)”, 2013, Encaustic and pigment on linen, 221 x 213 cm.
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- G. T. Pellizzi, “Knot Abstraction #55 “, 2011, Oil enamel on steel, 69 x 46 cm.
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- G. T. Pellizzi, “Constellation in Red (figure 1)”, 2013, Galvanized steel, copper wire, porcelain and ceramic coated lightbulbs., 244 x 376 x 15 cm.
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- G. T. Pellizzi, “The Red and the Black”, 2013, The walls of the gallery were rebuilt in plywood and painted with red oil paint. the wall surfaces were sold by the square foot according to the realestate marked value of the gallery itself. buyers could choose what size and shape they wanted, these were progressively painted onto the walls in black oil paint, and cut out at the end of the exhibition, Variable dimensions.
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- G. T. Pellizzi, “Primary Tryptich: Snap Lines in Red Yellow and Blue 1”, 2013, Encaustic and pigment on linen, 92 x 137 cm.
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- G. T. Pellizzi, “Primary Tryptich: Snap Lines in Red Yellow and Blue 4”, 2013, Pigent and gesso on canvas, 92 x 168 cm.
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- G. T. Pellizzi, “”Financial Times”, exhibition view”, 2014, Installation view at Mary Boone Gallery, Variable dimensions.