Richard Garet interweaves various media including moving image, sound, multimedia performance, and photography. In work ranging from modified environments to site specific installations to audiovisual screening works, Garet constructs intimate spaces and immersive situations that draw attention to the processes of perception and cognition, and which activate sensorial, physical, psychological phenomena that reflect on the nature and experience of time. Garet’s pieces, whether conceptual in origin or stemming from his investigation of complex systems and algorithmic translations, are informed by the background noise established by mass media culture and the collective arena that surrounds him. Garet’s reductive process seeks to invert the normative function of this background noise, drawing it up from subliminal status to an active presence. He finds further inspiration from material interactions that incorporate problems of context, technology, defunctionalization, commodity, and environment.
Traducido del inglés
Richard Garet combina varios medios incluyendo imagen en movimiento, sonido, performance multimedia y fotografía. A partir de obras que abarcan desde ambientes modificados a instalaciones específicas u obras de proyección audiovisual, Garet construye espacios íntimos y situaciones inversivas que se enfocan en procesos de percepción y cognición, activando fenómenos sensoriales, físicos y psicológicos que reflexionan acerca de la naturaleza y el paso del tiempo. Las piezas conceptuales de Garet, o las surgidas a partir de su investigación de sistemas complejos y traducciones de algoritmos, se originan del ruido de fondo establecido por la cultura de medios de masa y el campo de colectividad que lo rodea. El proceso de reducción de Garet tiene como objetivo invertir la función normativa de este ruido de fondo, llevándolo de su estatus subliminal a una presencia activa. Garet encuentra mayor inspiración de las interacciones materiales que incorporan problemas de contexto, tecnología, des-funcionalización, mercancía y medio ambiente.
Selected Biographical Information
Education / Training
- Bard College, MFA, New York, USA.
- Empire State College, B.A., New York, USA.
- The Art Students League of New York, Fine Arts Painting, Four Year Certificate, New York, USA.
Prizes / Fellowships
- 2013: Residency and Stipend, The Clocktower, Art on Air.
- 2011: Emergency Grant, Foundation for Contemporary Arts.
- 2012: Residency and Stipend, Issue Project Room.
- 2006: Grant, New York State Council on The Arts, Electronic, Media, and Film Program.
- 2006: Residency, The Frank Lloyd Wright School of Architecture at Taliesin West.
Solo Exhibitions
- 2013: “Extraneous to the Message”, Julian Navarro Projects, LIC, NY, USA.
- 2012: “The Spacious Now and the Scale of the instantaneous”, Studio 10, Brooklyn, NY, USA.
- 2011: “Espacios No-Euclídeos”, EAC – Espacio De Arte Contemporáneo, Montevideo, Uruguay.
- 2010: “ELECTROCHROMA”, The Invisible Dog Art Center, Brooklyn, NY, USA.
- 2009: “SONOCHROME”, The Public Trust, Dallas, TX, USA.
- 2007: “Time Frame”, Gallery 415, San Francisco, CA, USA.
Group Exhibitions
- 2013: “Soundings: A Contemporary Score”, MoMA, New York, USA.
- 2012: “5X5 Real Unreal”, Museum of Art Acarigua-Araure, Portuguese, Venezuela.
- 2012: “Machine Surrender”, FIFI Projects, Mexico City, Mexico.
- 2010: “Never Can Say Goodbye: Former Tower Records Store”, NO LONGER EMPTY, NYC, USA.
- 2009: “LEER VOLL/Fully Empty”, Diapason Gallery, Brooklyn, NY, USA.
- 2008: “Possibilities of Action: The Life of a Score”, MACBA, Barcelona, Spain.
Links
- Arte Al Día International
- On Sound. Richard Garet in Conversation with Seth Cluett
- Going to MoMA to See the Sounds, The New York Times