Artist: Pedro Tyler
Pedro Tyler transforms metal rulers into installations that connect the sculptural object with the history of philosophy. The exhibition opens with a reception on Tuesday, March 24, from 6-8 pm with the artist.
Tyler looks to the intersections of philosophy and religion, sculpture and knowledge. “Extensa has to do with the idea of immensity,” he writes. With his installation Principio y Fin (Beginning and End), Tyler bends sections of metal measuring tapes, turning them into the symbol for infinity. Connecting each piece, the linked chain emerges from the wall and splits into several strands, which connect to the ceiling.
The installation and sculptures in Extensa continue the artist’s ongoing investigation of systems of measurement as metaphors for the immensity of the universe. The artist writes, “Making sculpture is providing matter with form, organizing the space in which we move. How then to make an inanimate body transmit thought and emotion? According to Descartes, body and thought are quite distinct. He maintains that there are only two things: the extended thing (bodies, measurable space) and the thinking thing (the immaterial, thoughts, ideas and intuition). And inside the thinking is perfection and infinity, that is, God. But if each body is infinite within itself, are we not saying, like Spinoza, that God is in everything?”