The exhibition includes sound art, multimedia installation, moving image, painting and collage. These works convey a distilled presentation of Garet’s practice, ideas, and interests articulated through his investigation of time, media, material and space. Garet’s immersive approach activates sensorial results in the viewer. His hybrid constructions draw attention to the normative function of noise as a consequence of daily life. Further inspiration and intent in Garet’s work are the objectification of the ordinary and his interest in the multilayered complexities of the mundane.
The title of the exhibition “Meta-residue: input, material, space” deals with the perception of time, its affects and reception of materiality and space, mediated through the idea of meta-residue identifying the essence of what once was but is no longer tangible. This phenomenon is all around us. Not only as content and evidence of life but also as the mechanics that filter into aesthetics through constructs that are created in response to the felt world.
Image: treating pictures like wire 2, 2015, mixed media, 12″ X 18″.