Artist: Gabriel de la Mora 

Gabriel de la Mora: Sound Inscriptions on Fabric
July 15, 2016 – September 2, 2016
The Drawing Center
New York, NY

Gabriel de la Mora is best known for constructing visual works from found, discarded, and obsolete objects, such as eggshells and shoe soles. De la Mora describes these objects, which have outlived their usefulness, as caches for historical information about everyday life. In his exhibition at The Drawing Center, De la Mora will present an installation of fifty-five pairs of found speaker screens. Each screen is imprinted with an inscription created by the dust and air that circulated through the speaker during its life, recording the cadence of countless voices, advertisements, news broadcasts, soap operas, football games, and music, as well as noise, interference, and silence.

• Happenings

Artists: Amadeo Azar, Daniel Barroca, Matt Bua, Onyedika Chuke, Annette Cords, Marcelo Moscheta, Zach Rockhill, and Lauren Seiden.

Name It by Trying to Name It
July 17 – August 30, 2015
The Drawing Center
New York, USA

Initiated in 2014, Open Sessions is a new program at The Drawing Center through which a large group of artists consider their relationship to drawing as medium, process, and metaphor. Working together over a two-year period, Open Sessions artists participate in ongoing studio visits and discussions, punctuated by small group exhibitions at The Drawing Center, as well as other self-organized shows in New York and abroad.

Name It by Trying to Name It: Open Sessions 2014-15 includes all artists in the program, giving the first floor of the museum over to an exploration of contemporary drawing, encompassing performance, video, sculpture, and installation, as well as traditional drawing forms. The show’s numerous collaborations, in which ideas and materials are shared, emphasize the medium’s flexibility and process-oriented nature. The exhibition will evolve over its six-week run, as some artworks enter and exit in two-week cycles, while others remain constant throughout the show’s run. Taken as a whole, Name It by Trying to Name It presents a window into nearly two years of thinking about drawing.

• Happenings