Artists: Felipe Arturo, Adrián S. Bará, Alberto Borea, Radamés “Juni” Figueroa, Derek Franklin, Ximena Garrido- Lecca, Leor Grady, José Carlos Martinat, PS3* and Slobodan Stosic
Curated by Meyken Barreto, Carlos Garcia-Montero, Cecilia Jurado and ghostwriter.
May 6, 2016- May 30, 2016
New York, NY
The show brings together a group of international artists whose practice is characterized by a special sensitivity towards the aesthetic and symbolic potential of everyday materials and objects. Their approach to artistic creation is strongly informed by the context in which their work is produced and by the background from which they come. With different points of departure, from performative to space- based concepts, they investigate and generate narratives about contemporaneity. From Mexico, Peru, USA, Israel, Spain and Serbia, the artists gathered here address different topics from social or politics to contemplative or physics, but they are all joined by a peculiar way to transform their reality in poetic ways.
Artist: Alberto Borea
We Are All Gone
October 10 – November 12, 2014
New York, USA
Continuing with his research on cartography, urban identity and the relation between center and periphery, the artist presents a group of works derived from recent explorations. Borea takes the position of an “archeologist of the contemporary” who rescues the materials and used objects which are “residues of civilization“. These artifacts are undergoing a creative process leading to innovative results featuring the artist´s unique vision about ruins and progress.
A cage that is broken and open, “We Are All Gone” shows the tautness derived from the concept of “contention”. This sculpture works as an expanded drawing. Chaos, transgression and geometry coexist in the paradoxical nature of this piece.
In “Haus”, the german word for house, the artist recycles and transforms four doors of New York City taxi cabs. The resulting object is a hybrid device sharing the characteristics of a living architectural structure and a moving vehicle. Permanence and transition are concepts in dialogue in these four works, which are settled on the exploration of what has been called heterotopic spaces.
“Immigration”, on the other hand, is a sculpture made with a metal cement trowel and wheels that the artist found in the streets of Lima. This object is a strong statement about roots, transit, migration, and art as a social and spiritual practice. For “Self-portrait”, Borea works with the idea of souvenir and global identity. The bottle with an Inca portrait named Biondi is attached to a corn broom, this combination of two different things leads to the creation of a new object. This innovative device shows the different layers of cultural information and manipulation, leaving for posterity a new sort of “huaco”or totem.
The transitional nature of existence is an underlying conceptual principle common to all the works in the show. They are the result of a sensitive reaction to the contemporary and its physical expression, manifested in the combination and manipulations of objects leading to new metaphorical artifacts.
Alberto Borea lives and works between New York and Lima. His work is characterized by the continuous displacement and use of diverse media and materials. He attended residencies and fellowships including Skowhegan School of Painting and Sculpture, (Fundacion Cisneros de Patricia de Phelps), Art Omi International Residency 2009, Vermont Studio Center (Jackson Pollock Krasner Fellowship), International Studio and Curatorial Program NYC (ISCP), Sculpture Space, Utica, NY, Default Masterclass in residence, Lecce and Lower Manhattan Cultural Council (LMCC). Borea’s work has been shown in diverse exhibitions in Europe, Latin America and the U.S. including Queens Museum of Art in New York City, Museo del Barrio in New York City, Museum of Fine Arts in Boston (Cisneros Fontanals Collection), Dublin Contemporary, Museo Laboratorio in Italy, Art Museum of the Americas in DC, and Museo de Huelva in Spain.