Casari & PPPP
Peru
View Gallery
From CNN to the DNA, I focus my attention on reaching surfaces without the minor hope to get informed. Everyday, we are condemned to know more and understand less. This antiseptic process prefigures the first global semiotic indigestion. Reality collapses when one tries to portray an ocean by depicting drop after drop of water. My vision of the world is as precise as it is mistaken, and that is why I draw for hours with intense attention and no particular intention.
Traducido del inglés
De CNN al ADN, enfoco mi atención a alcanzar superficies sin la menor intención de estar informado. Todos los días estamos condenados a saber más y entender menos. Este proceso antiséptico prefigura la primera indigestión semiótica global. La realidad se colapsa cuando uno intenta representar un océano al ilustrar cada gota de agua. Mi visión del mundo es tan precisa como errada, y es por esto que dibujo por horas con intensa atención y sin particular intención.
Selected Biographical Information
Education / Training
- 1998: MFA, State University of New York, New Paltz, NY, USA.
Prizes / Fellowships
- 2012: XVII Premio Figari, Museuo Figari, Montevideo, Uruguay.
Solo Exhibitions
- 2012: Figari Prize XVII, Museo Figari, Montevideo, Uruguay
- 2012: “Functional Desinformation – drawings in Portuguese”, Instituto Tomie Ohtake, Sao Paulo, Brazil.
- 2012: “Lentissimo”, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, USA.
- 2012: Bienal de Cuenca, Ecuador.
- 2012: “No Idea”, Museum of Latin American Art, Long Beach, CA, USA.
- 2011: “Optimismo Radical”, NC-arte, Bogota, Colombia.
- 2011: “From Huguenot to Microwave”, Dorsky Museum, New Paltz, NY, USA.
- 2005: “El Papel Del Papel”, Centro Colombo Americano, Bogota, Colombia.
- 2003: “Construcciones & Demoliciones, dibujos en español”, Centro Cultural Reina Sofia, Montevideo, Uruguay.
- 2001: “Global Myopia”, Kemper Museum of Contemporary Art, Kansas City, MO, USA.
Group Exhibitions
- 2013: “MOCA’s Permanent Collection: A Selection of Recent Acquisitions”, Museum of Contemporary Art, Los Angeles, CA, USA.
- 2010: “Al calor del pensamiento, Works from the Daros LatinAmerica Collection”, Fundacion Banco Santander, Madrid, Spain.
- 2008: “New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions”, Museum of Modern Art, New York, NY, USA.
- 2008: “Drawn to Detail”, DeCordova Museum and Sculpture Park, Lincoln, MA, USA.
- 2008: “WALL ROCKETS: Contemporary Artists and Ed Ruscha”, curated by Lisa Dennison, Flag Art Foundation, New York, NY, USA.
- 2006: “Off/Fora”, 29th Pontevedra Biennal, Pontevedra, Spain.
- 2006: “Gyroscope”, Hirshhorn Museum and Sculpture Garden, Washington D.C., USA.
- 2005: “Drawing From the Modern 1975-2005”, Museum of Modern Art, New York, NY, USA.
- 2003: “Vision & Revision: Works on paper since 1960”, Museum of Fine Arts, Boston, MA, USA.
- 2002: 25th Sao Paulo Biennial, Sao Paulo, Brazil.
Publications
- 2006: “100 Latin American Artists”, EXIT Publishers, Madrid, Spain.
- 2005: “Vitamin D: New Perspectives in Drawing”, Phaidon Press, New York, NY, USA.
- 2004: Gwangju Biennial, catalog, text by Marco Maggi.
- 2003: Havana Biennial, catalog, text by Ana Tiscornia.
- 2003: IV Mercosur Biennial, catalog, text by Gabriel Peluffo.
- 2003: “Construcciones & Demoliciones”, essay by Robert Hobbs, Centro Cultural Reina Sofia, Montevideo, Uruguay.
- 2002: Weintraub, Linda. “Being Gently Subversive”, In The Making: Creative Options for Contemporary Art, d.a.p. Sao Paolo Biennial, catalog, text by Marco Maggi.
- 2001: III Mercosur Biennial, catalog, text by Angel Kalemberg.
- 2001: “Marco Maggi: Global Myopia”, Text by Dana Self, Kemper Museum of Contemporary Art, Kansas City, MO, USA.
Collections
- Museum of Modern Art, New York, NY, USA.
- Museum of Contemporary Art, Los Angeles, CA, USA.
- Whitney Museum of American Art, New York, NY, USA.
- The Drawing Center, New York, NY, USA.
- Daros Foundation, Zurich, Switzerland.
- Hirshhorn Museum and Sculpture Garden, Washington DC, USA.
- Museum of Fine Arts, Boston, MA, USA.
- Fine Arts Museum of San Francisco, San Francisco, CA, USA.
- Walker Arts Center, Minneapolis, MN, USA.
- Syracuse University, Syracuse, NY, USA.
- Museum of Latin American Art, Long Beach, CA, USA.
- The Rachofsky House, Dallas, TX, USA.
- El Museo del Barrio, New York, NY, USA.
- The Judith Rothschild Foundation, New York, NY, USA.
- Cisneros Collection, New York, NY, USA.
- Indianapolis Museum of Contemporary Art, Indianapolis, IN, USA.
- Kemper Museum of Contemporary Art, Kansas City, MO, USA.
- San Jose Institute of Contemporary Art, San Jose, CA, USA.
Links
- Micro & Soft On Macintosh Apple – Marco Maggi e Ken Salomon, 2004 (cortesia Galeria Nara Roesler)
- Marco Maggi, Clip of “Untitled”
- Fuera de Marco- Out of Frame (2004)
- Marco Maggi: D Ream
- Parking Any Time
- By Disappointment Only
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- Marco Maggi, “Hardware vs. Software”, 2013, Cuts and fold on fanfold card stock, 120 x 8 in. Image courtesy of the artist and Josee Bienvenu Gallery.
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- Marco Maggi, “Global Myopia”, 2011, Cuts on surveillance mirror, Diameter 48 in. Image courtesy of the artist, Josee Bienvenu Gallery and Vassar College.
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- Marco Maggi, “Blue, Red, Yellow, White Hotbed”, 2012, Cuts on paper, Variable dimensions, Site specific project. Location: Instituto Tomie Ohtake. Image courtesy of the artist, Josee Bienvenu Gallery and Instituto Tomie Ohtake.
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- Marco Maggi, “Blue, Red, Yellow, White Hotbed”, 2012, Cuts on paper, Variable dimensions, Site specific project. Location: Instituto Tomie Ohtake. Image courtesy of the artist, Josee Bienvenu Gallery and Instituto Tomie Ohtake.
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- Marco Maggi, “Color Dash”, 2012, Cuts on paper in 35mm slide mounts, Variable dimensions, Site specific project. Location: Instituto Tomie Ohtake. Image courtesy of the artist, Josee Bienvenu Gallery and Instituto Tomie Ohtake.
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- Marco Maggi, “Yellow Sliding”, 2011, Cuts on paper in 35mm slide mounts, 36 x 36 in. / 37 x 37 in. framed. Image courtesy of the artist and Josee Bienvenu Gallery.
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- Marco Maggi, “El Papel Del Papel”, 2005, Cuts on paper, Variable dimensions, Site specific project. Location: Centro Colombo Americano. Image courtesy of the artist, Josee Bienvenu Gallery and Centro Colombo Americano.
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- Marco Maggi, “El Papel Del Papel” (detail), 2005, Cuts on paper, Variable dimensions, Site specific project. Location: Centro Colombo Americano. Image courtesy of the artist, Josee Bienvenu Gallery and Centro Colombo Americano.
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- Marco Maggi, “Micro & Soft on Macintosh Apple”, 2004, video of 04:01 min. Location: Museum of Modern Art. Image courtesy of the artist, Josee Bienvenu Gallery and Museum of Modern Art.
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- Marco Maggi, “Fast Viewer”, 2008, Pencil on Yupo, Triptych: 20.75 x 50.25 in, 20.75 x 16.75 in framed. Image courtesy of the artist and Josee Bienvenu Gallery.
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- Marco Maggi, “Fast Viewer” (Detail), 2008, Pencil on Yupo, Triptych: 20.75 x 50.25 in, 20.75 x 16.75 in framed. Image courtesy of the artist and Josee Bienvenu Gallery.
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- Marco Maggi, “Turner Box: Complete Coverage on Oiticica 1 (metaesquema)”, 2012, Cuts on 500 pages, plexiglas, 8x8x2 in. Image courtesy of the artist and Josee Bienvenu Gallery.
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- Marco Maggi, “400 Instant Messages”, 2013, Cuts on 400 white on white envelopes, 38 x 38 inches, 48 x 48 inches framed. Image courtesy of the artist and Josee Bienvenu Gallery.
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- Marco Maggi, “Stacking Quotes (Warhol yellow Brillo & blue, red and white Brillo)”, 2013, Brillo stickers on 7 letter size Cachet notebooks, 6 x 11 x 8.5 inches. Image courtesy of the artist and Josee Bienvenu Gallery.
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- Marco Maggi, “Installation view of by disappointment only”, 2007. Site specific project. Location: Josee Bienvenu Gallery. Image courtesy of the artist and Josee Bienvenu Gallery