Translated from Spanish
I like to think of my studio as a laboratory, a place that allows work to be developed into an accumulative process of the graphic experience. Drawing is a way of thinking that makes connections between acquired concepts and executed forms. Far from representing concepts, I try to present them, shape them, and give them a new type of classification to designate them. The act of drawing connects mind with hand, oral language with the sense of touch. The shape might come close to a raw, primary, organic translation of the mind.
Me gusta pensar en mi estudio como un laboratorio, un lugar que permite que el trabajo que hago se desarrolle en un proceso acumulativo de la experiencia gráfica. El dibujo es una forma de pensar que hace conexiones entre los conceptos adquiridos y las formas ejecutadas. Lejos de tratar de representar conceptos trato de presentarlos, darles una forma, un nuevo tipo de clasificación para designarlos. El acto de dibujar conecta la mente con la mano, el lenguaje oral con el tacto. La forma podría acercarse a una traducción cruda, primaria y orgánica de la mente.
Selected Biographical Information
Education / Training
- 2010: Residencia Revolver galería, Lima Peru.
- 2009: Residencia “La Curtiduría”, TAGA Taller de Gráfica Actual, Oaxaca, Mexico.
- 2000-2005: Licenciatura en artes visuales: Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” ENPEG CENART, Mexico City, Mexico.
Prizes / Fellowships
- 2014-2016: Becario del FONCA Sistema Fondo Nacional para la Cultura y las Artes, CONACULTA INBA, Mexico City, Mexico.
- 2013: Becario del FNA Fondo Nacional de las Artes, Bs As Argentina.
- 2010: Becario de CIA Centro de Investigaciones Artísticas, Bs As Argentina.
- 2007-2008: Becario del FONCA Fondo Nacional para la Cultura y las Artes, CONACULTA INBA, Mexico City, Mexico.
Solo Exhibitions
- 2013: “Taxonomía de un paisaje”, Dot fifityone gallery, Miami, USA.
- 2013: “Verosímil – Ficcional”, Document Art galería, Bs As Argentina.
- 2012: “Paisaje recuperado”, Arróniz galería, Mexico City, Mexico.
- 2011: “Taxonomía de un hallazgo”, MAM Museo de Arte Moderno, Mexico City, Mexico.
- 2010: “Frag-mentes (sistema de interpretación)”, Revolver galería, Lima, Peru.
- 2010: “Sesera”, Dot fiftyone gallery, Miami, USA.
- 2009: “La Razón a Voluntad”, Arróniz galería, Mexico City, Mexico.
- 2007: “Cambios de sitio”, Casa del Lago UNAM, Mexico City, Mexico.
- 2006: “Basura Afortunada”, Claustro de Sor Juana / Celda de Arte Contemporáneo, Mexico City, Mexico.
Group Exhibitions
- 2013: “Abstracción”, Arróniz galería, Mexico City, Mexico.
- 2013: “Open Studio 8”, Fundación Rozemblun, Bs As Argentina, Curator: Teresa Riccardi.
- 2013: “Rudimentum” Christinger de Mayo galería and Arróniz galería, Zürich, Switzerland.
- 2013: “Utopías de ilusión”, Art Nube (Kiosco) galería and Dot fiftyone gallery, Santa cruz de la Sierra, Bolivia.
- 2013: “Arróniz galería en Lima Perú”, Lima, Peru.
- 2013: “Building Bridges”, Fundación Rozemblum and Nosco Gallery, Bs As Argentina.
- 2012: Colectivo 2do piso, Agustín González, Moris, Omar Barquet y José Luis Landet, Baro galería, Sao Paulo, Brazil.
- 2012: “Open Studio 6”, Fundación Rozemblum, Bs As Argentina, Curator: Rodrigo Alonso.
- 2012: “Lo común y lo colectivo”. Artistas de Arróniz galería en galería Libertad, Querétaro, Mexico.
- 2012: “Discourse of the non-representational”, Dot Fiftyone gallery, Miami. USA.
- 2009: “20 años del FONCA”, magna exposición retrospectiva, Biblioteca Vasconcelos, Mexico City, Mexico.
- 2009 “Proyectos”, Revolver galería, Lima, Peru.
Publications
Links
- Taxonomy of a discovery | Jose Luis Landet
- Mexico: Agustín González, José Luis Landet, Moris and Omar Barquet
- Revista Magenta – Jose Luis Landet
- Arte Aldia – Jose Luis Landet
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- José Luis Landet, “Volemia”, 2012, Series: 1, Wood, 6 liters of black ink, 5034 A4 sheets, 300 x 200 x 170 cm, Site specific project. Location: Arróniz galería, Mexico. Photo credit: Andrea Martinez
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- José Luis Landet, “Volemia continuo”, 2013, 4 Wood panels, 160 A4 sheets and blue ink, 250 x 500 cm, Site specific project. Location: Dot fiftyone gallery, Miami. Image courtesy of the artist
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- José Luis Landet, “Paisaje recuperado”, 2013, Series: XII, XIII y XIV, Oil on canvas (1940-1960), enamel, glue on wood for each panel, 160 x 120 cm each. Image courtesy of the artist
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- José Luis Landet, “Porosidad”, 2013, Series: 7, Oil on canvas (1940-1960), enamel, glue on wood for each panel, 150 x 200 x 6 cm. Photo credit: Albano Garcia
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- José Luis Landet, “Paisaje recuperado”, 2010, Series: 1, Oil on canvas (1940-1960), glue on cardboard, 150 x 110 cm. Sayao & Pardon Collection. Photo credit: Andrea Martinez
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- José Luis Landet, “Paisaje recuperado”, 2012, Series: 2, Oil on canvas (1940-1960), glue on canvas, 160 x 120 cm. Photo credit: Andrea Martinez
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- José Luis Landet, “Paisaje recuperado”, 2012, Series: 4, Oil on canvas (1940-1960), glue on canvas, 160 x 120 cm. Photo credit: Andrea Martinez
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- José Luis Landet, “Paisaje recuperado”, 2012, Series: 5, Oil on canvas (1940-1960), glue on canvas, 160 x 120 cm. Photo credit: Andrea Martinez
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- José Luis Landet, “Paisaje recuperado”, 2013, Series: 11, Oil on canvas (1940-1960), glue on canvas, 160 x 120 cm. Colección Trapiche Argentina. Photo credit: Andrea Martinez
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- José Luis Landet, “Border, tiras y contornos”, 2012, Series: 1, Oil on canvas, 9 fragments, 150 x 20 cm each. Site specific project. Location: Dot fiftyone gallery, Miami. Image courtesy of the artist
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- José Luis Landet, “Duda”, 2012, Black ink on gray felt, 150 x 200 cm. Image courtesy of the artist
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- José Luis Landet, “Principio de polaridad”, 2012, Series: 1, Black ink on white felt, 30 x 42 cm each. Private Collection, Mexico. Image courtesy of the artist
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- José Luis Landet, “Principio de polaridad”, 2013, Series: 18 dibujos, Black ink on paper, realized with hands, arms and elbows, 260 x 650 cm. Image courtesy of the artist
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- José Luis Landet, “Principio de polaridad”, 2013, Series: 17, Black ink on paper, realized with hands, arms and elbows, 70 x 100 cm. Image courtesy of the artist
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- José Luis Landet, “Principio de polaridad”, 2013, Series: 9, Black ink on paper, realized with hands, arms and elbows, 70 x 100 cm. Image courtesy of the artist
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- José Luis Landet, “Anti-monumento 3”, 2013, Wooden racks of various dimensions and oil and enamel on canvas, 303 x 497 x 97 cm. Image courtesy of the artist.
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- José Luis Landet, “Anti-monumento 3” (Detail), 2013, Wooden racks of various dimensions and oil and enamel on canvas, 303 x 497 x 97 cm. Image courtesy of the artist.
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- José Luis Landet, “Anti-monumento 3” (Detail), 2013, Wooden racks of various dimensions and oil and enamel on canvas, 303 x 497 x 97 cm. Image courtesy of the artist.
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- José Luis Landet, “Anti-monumento 3” (Detail), 2013, Wooden racks of various dimensions and oil and enamel on canvas, 303 x 497 x 97 cm. Image courtesy of the artist.
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- José Luis Landet, “Borde, contorno y límite”, 2013, Oil on canvas 1940-1960 and cement, 60 x 90 cm. Image courtesy of the artist.
